Aura 16mm
Ultra-wide perspective with true cinematic compression
a groundbreaking lens collection that masterfully blends vintage cinematic charm with cutting-edge optical innovation. Crafted in Kharkiv, Ukraine, amidst challenging circumstances, XELMUS exemplifies resilience and dedication to the art of filmmaking.a groundbreaking lens collection that masterfully blends vintage cinematic charm with cutting-edge optical innovation. Crafted in Kharkiv, Ukraine, amidst challenging circumstances, XELMUS exemplifies resilience and dedication to the art of filmmaking.
Ultra-wide 150° FOV
Designed to capture large-scale scenes, it creates signature anamorphic flares and natural compression. A bold perspective for modern storytelling.
Developed in collaboration with Filmmakers
Developed through close collaboration with filmmakers, it is designed to meet the full demands of modern cinema production and unlock maximum creative potential.
A Testament to Craftsmanship and Resilience
XELMUS’s commitment to excellence shines through in the AURA series, reflecting a fusion of artistic heritage and modern technology. Despite operating under the adversities faced in Kharkiv, the team delivers lenses that meet the highest standards of cinematic production.
For filmmakers seeking lenses that offer both a timeless aesthetic and contemporary performance
the XELMUS AURA 2x Anamorphic S35 Series stands as an unparalleled choice. Experience the fusion of classic cinematic beauty and modern precision—crafted with passion and perseverance.
Controlled Focus Breathing
Maintains consistent framing during focus pulls, crucial for dynamic storytelling.
Minimal Barrel Distortion
Maintains consistent framing during focus pulls, crucial for dynamic storytelling.
Waterfall Bokeh
Creates a dreamy, immersive depth, enhancing the emotional impact of each frame.
Retro-Inspired Veiling Glare
Evokes the classic look of 1960s and 70s cinema, adding nostalgic warmth.
Muted White-Blue Flares
Provides a subtle, artistic touch without overpowering the scene.
